Script

Film Credits - Director and main two actors are shown.

Camera pans over a dirty apartment, the bedroom. It is darkly lit with the only light coming from the static of the television, high angle shot. The camera focuses on dirty plates and a "Springfield Mental Hospital" uniform overall.

Voiceover
Springfield Mental Hospital patient 52961 Kieran Spooner has escaped from his cell and is suspected still to be in the surrounding South London Area. He is a caucasian male of medium build with short blonde hair and is expected to be dangerous to those he meets due to his lack of mental stability and obsessive tendencies, please call Springfield on 020 8682 6000

Kieran gets into the bath and stares at the images on the wall against him. The camera focuses on images of four girls, printed from 'Facebook' . Three of the girls have had their faces crossed out with a red marker. Kieran begins to bathe himself.

The camera focuses on the image of a girl in the centre of the wall, she is with her boyfriend in the picture, the boyfriend has his face crossed out with a red marker.

The scene cuts to the title of the film. The remaining credits are shown

TREATMENT

Treatment

Our scene opens in a man's apartment. The camera pans along the surroundings of the apartment using a medium bird's eye shot. The panning shot allows the audience to see used plates and dishes in addition to an overall suit which is labelled "Springfield Hospital", this suggests to the audience that he does not have mental stability and also fits in with the conventions of other psychological horror films by setting it in a city such as London. This has been shown in films such as "The Sixth Sense" and "Rosemary's Baby" which have urban city settings.

The camera then pans into the bathroom of the apartment where we see the main character, _______ bathing. He is staring across the room at a white wall across from him plastered with images of the same girl, printed off her facebook account. The white background has been used to symbolise madness and a lack of sanity to be represented through the main character. The faces of the other people in the tagged photos of the desire of his affections have been scribbled out with a biro.

Whilst the audience become familiar with the main character the soundtrack played in the background is a remix of the song "Going in for the kill" by contemporary artist La Roux. We have chosen this track because it will attract our target audience which is teenagers, due to her being a success in that field, and the remix also uses very high pitched and extended sounds which can be used to build the tension which we have seen being used in our research of Psychological horrors.

The character from the opening scene is in fact an escaped patient from London mental hospital "Springfield" and has developed an obsession with the woman in the photos he has plastered on his bathroom wall. She lives locally to him, and once gave him some spare change for his oyster card, he mistook this common act of courtesy for affection and has convinced himself that she is in love with him, when she does not in fact know who he is. He begins to stalk those close to her, such as her boyfriend, and close family members, and steals a possession of theirs to target his hatred towards them as he believes that they are the obstacles stopping him being with her.

He eventually creates a shrine, his whole bathroom dedicated to her, and those close to her, until he tries to kill her and in fact ends up killing himself in the process. This is typical of psychological horrors because it ends in one death which is built upto instead of many pointless deaths throughout the film.

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